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Thursday, May 31, 2012

All About Bag Interfacing

This post is part of Purse Palooza 2012.
For full schedule of guest post pattern reviews and prizes, click here!



Purse Palooza 2012 is beginning next week, on June 4th! Are you prepared?! Get ready and get set to go with this helpful post on everything bag interfacing!

Today, I have the pleasure of talking about one of my most favorite things in the world...interfacing! This post will be concentrated on the particular Pellon Interfacings that I use while making bags. Interfacing makes up 25% of my stash...no lie! It's one of those things that you just need to have on hand at all times, because you'll use it in most any project - to make quilted items, bags, garments, you name it!

Pellon interfacing is available in the U.S. If you are one of my friends in another country, I have put together this helpful interfacing conversion chart for Vilene interfacing that you might use when making a bag. For the purpose of this article, I will refer to particular Pellon interfacings, but feel free to glance at the chart to note the interfacing available in your area.

Pellon Interfacing
Vilene Conversion
987F Fusible Fleece
H630 Iron On Lightweight Fleece
TP971F Fusible Thermolam
H640 Iron On High Loft Fleece or 272 Thermolam
SF-101 Shape Flex Fusible Woven
G700 Woven Fusible
520 Deco-Fuse Firm
S520 Firm Interlining
70 Peltex Sew-in
S80 Heavy Sew-in
71F Peltex Single-sided Fusible
S520 Firm Iron-on
809 Decor Bond
H250 Iron-on
I assembled this chart with the help of the lovely folks at Pellon.

So let's get started! Note: always use a pressing cloth when fusing your interfacing to fabric! Pellon interfacing is also available in boxes of product, usually around 2-3 yards per box. You can see examples of boxed interfacing in my photo above; most specialty quilt shops will stock the packaged interfacing!

Pellon 987F Fusible Fleece


Pellon 987F Fusible Fleece can be found by-the-yard at your local fabric store packaged on a bolt with a pale green label on it. It is fusible on one side, which means you can feel the 'glue' on one side, and this is the side that should go against the wrong side of your fabric. This interfacing has a bit of a loft to it. I like using it, but usually reserve it for either the lining of a bag (to add extra body), for straps (so that they are padded, but without any extra bulk), for small flaps, etc. I don't often use it for the exterior of a bag because I have found that over a large area, it can possibly make the fabric look slightly crinkly because of the loft of the fleece.

One way that you can smooth out your fabric when using fusible fleece is to first fuse a layer of Shape Flex (which I'll talk about later) to the fabric, then follow it with a layer of fusible fleece.

Another great use for fusible fleece is that you can cut small squares of it (approximately 2" x 2") to reinforce a magnetic snap that you might be using in your bag. Every time you open and close a magnetic snap, it puts pressure on your fabric. To resist against everyday wear-and-tear, slide the prongs of your snap through your fabric, and then put the square of fleece on top before you close the prongs. You shouldn't have any worries about your fabric tearing under the strain of the magnetic snap now!


Pellon TP971F Fusible Thermolam


Exterior of bag: Pellon 520 and Thermolam - Interior and Straps: Fusible Fleece
I absolutely love Thermolam. It also comes on a bolt with a light green label on it. It is also fusible on one side, so the tacky side should go against the wrong side of the fabric. Thermolam is fleece, but it is a needled fleece, which means it is denser and lies flat. It has a ton of uses. If I'm making a smaller quilted project like a mini quilt, mug rug, or oven mitts, I use Thermolam before I quilt the project. It eliminates the need for using pins or spray baster.

But this article is for bag-making. When I'm making a bag or other accessory, I like it to have body. Even if I was making a simple tote bag, I would not be happy if it was just 2 layers of fabric. Just too thin for me. I know it boils down to personal preference, but if I make a bag, I want it to be able to carry 20lb. without tearing at the bottom. It needs to feel like it has some substance to it.

So, if I am making a soft bag, I always always use Thermolam. I would, say, use the Thermolam fused to the exterior fabric of the bag, and possibly either Shape Flex or fusible fleece fused to the lining fabric of the bag. Thermolam, once fused, will make your fabric look nice and smooth. Depending on your iron, you might need to fuse it for a little bit longer than the manufacturer instructions (I'd suggest testing on a small piece first if you've never used it before). I find I sometimes need to iron it up to double the time as directed. Another personal tip is that I like to iron it (misting with a bit of water) with the interfacing side toward my iron, and when I'm sure it's properly fused, I like to flip it over and iron on top of the fabric (with my pressing cloth in place, of course!). This will give your fabric an incredibly flat and smooth look.


Pellon SF-101 Shape Flex Fusible Woven



I use this in 100% of my bags. I might use it in different ways, but bar none, it is the most important interfacing in my stash. I fuse Shape Flex to every single pocket that I make. I fuse it to facings in garments. I for sure fuse it to an area around a zipper to help reinforce that area. You can find this interfacing in your local shop with a light purple label on the bolt.

Shape Flex will make a quilt-weight cotton have the feel, once fused, of a decor-weight or canvas-weight fabric. It will give the fabric a bit of sturdiness. As with the previous interfacings, the rough tacky side should go against the wrong side of your fabric before ironing. It is perfect as a stand-alone interfacing if you are making a small pouch or other smaller accessory. You can even combine it with other interfacings. Someone asked me the other day what is the most interfacing I have used on one piece of fabric, and the answer is 3. I like to experiment a lot, and there is no right or wrong answer. I might use a layer of Shape Flex, one of Thermolam, and another of 520. I get a little crazy sometimes. :-)

520 Deco-Fuse Firm


Exterior of bag: Pellon 520 - Interior of bag: Pellon Shape Flex
I love this interfacing. Love love love it. It is wonderful in so many ways. If you are looking to make a very stiff bag, then this is the interfacing for you. Even though it is very stiff, it is about as thick as a piece of construction paper, which makes it reasonably easy to sew. Another good thing about this interfacing is that once it is fused, it never has that 'fused' look. So your fabric will look nice and smooth. It also holds a finger press, so I usually never have to iron any seams, I just use my fingers.

As with any stiff interfacing, it can be tricky to maneuver your bag through your sewing machine. I say sew slowly, and come up with creative ways to get the stitching done. For instance, if you have to sew half a line of stitching, stop, feed the bag in from the opposite side to continue stitching, do that. Honestly, no one is going to see the wrong side of your bag, so it doesn't have to be the prettiest stitching in the world (in my opinion).

520 Deco-Fuse is a great way to get a store-bought look to your bags.


Peltex 70 Sew-in


Exterior of wallet: Peltex sew-in and Pellon Thermolam - Interior: Pellon Shape Flex
This interfacing is a little bit thicker than the 520 Deco-Fuse, and it is stiff as well. It comes on a bolt with a yellow label. Because it is a sew-in interfacing, it will not fuse to your fabric. You can either baste the interfacing to your fabric using a small seam allowance, OR (and this is my favorite method)...you can cut a piece of Shape Flex that is the same size as your pattern piece. Then cut a piece of Peltex sew-in from your pattern piece, but trim it 1/2" smaller all the way around. Center the Peltex sew-in on the wrong side of your fabric, then place the fusible side of your Shape Flex on top. When you fuse the Shape Flex, it will seal the Peltex sew-in along the 1/2" edges against your fabric. Having a smaller piece of Peltex sew-in will also help to reduce the bulk in your seam allowance.

Another great reason to have some Peltex #70 around is for bag handle inserts. Some sewing patterns for bags call for you to create sort of a double-bias piece for each handle, meaning that your raw edges would not be exposed. I cut a strip of 1-1/2" wide Peltex #70 for each of the handles in the bag below, and slide them into each handle piece before topstitching along each long edge. It makes the handles very stable. I've also used fusible fleece and Thermolam as handle inserts before. I suppose it just depends on what look you're going for, but any will work.


I definitely favor the 520 Deco-Fuse, but Peltex Sew-in is a great substitution for that.




Peltex 71 Single-sided Fusible




Exterior of bag: Peltex #71 - Interior: Pellon Shape Flex
I used to use this interfacing all the time. However, with the release of 520 Deco-Fuse, the Peltex fusible has sort of taken a backseat in my stash. It is great when you want to fuse a small area of a project (such as the flap of a bag or clutch), but I find that sometimes when you are using it on a larger area of a project (for example, the exterior of a bag), it *can* give the fabric a 'fused' (aka crinkly) look.


It is a stiff interfacing like the Peltex Sew-in and the 520 Deco-Fuse. If you need a heavy/stiff interfacing that you'd like to fuse, I'd say go with the 520 Deco-Fuse.




809 Decor Bond


Exterior of bag: (red area) 2 layers of Decor Bond; rest of exterior is Thermolam - Interior: Shape Flex
I began using this interfacing quite a bit, late last year. If there are panels or handles of a bag that you would like to give a stiff appearance to, but not want to look crinkly if you happen to fold or crease them, this is the interfacing for you.

Actually, I use this interfacing in 2 layers. I will first fuse a layer of Shape Flex against the wrong side of my fabric, and then follow up with 2 layers of Decor Bond. However, the Decor Bond I will cut approximately 1/2" small on all sides of the particular pattern piece, to keep bulk out of the seam allowance.

You can also use a layer or two of Decor Bond if you want your bag to stand up by itself, but not be as stiff as Deco Shape or Peltex.




Psssttt! Did you know that if you don't have any interfacing handy, Pellon Wonder Under (a fusible web) will turn any fabric into a fusible interfacing? For example, you can use Pellon Nature's Touch or Warm and Natural batting in place of Pellon Thermolam, or another quilting cotton in place of Pellon Shape Flex. How's that!!


I hope this article has shed a little bit of light on bag interfacing. I know it's something that we don't talk about a lot, but we probably should, because it's one of the things that sewers can find confusing, and I get asked a lot of questions about it!


Many sewing patterns only name interfacing in generic terms: light-midweight interfacing, heavyweight interfacing, etc. That can make it sort of difficult to navigate. To generalize, I would say, in my opinion, that for a light-midweight notation, you can use Shape Flex, fusible fleece, or Thermolam. Heavyweight or stiff interfacing would be either of the Peltex or the Pellon 520 (possibly 2 layers of Decor Bond). Again, others might have different opinions on this.


A no-reply blogger (meaning, I have no way to contact her!) just asked me about washing these...I have washed bags made out of just about every interfacing. You can do it, some just look a bit more wrinkly than others (bring out the iron!). I'm not really a big fan of washing my bags, though, so I wouldn't do it unless you had some sort of emergency (like grape juice).

There are no right or wrong answers to using interfacing. I find that the best way to learn more about it is to use it in all of your projects...tweak your interfacing based on your personal preference: what kind of shape are you interested in, how much stiffness, what kind of body.


Feel free to ask any specific questions about interfacing in the comments! I will answer! If you are working with a certain pattern, feel free to let me know if you're confused on what interfacing to use, and I'll be glad to help you navigate the waters!

Wednesday, May 30, 2012

Purse Palooza 2012 :: 2nd Prize Rundown

This post is part of Purse Palooza 2012.
For full schedule of guest post pattern reviews and prizes, click here!


With Purse Palooza 2012 kicking off this Monday (June 4th), I'm talking about some of the great prizes! You can't miss this event!

Next it's time to talk about what the 2nd prize winner will be getting. The prizewinners will be chosen on July 11th and judged from all of the entries submitted to the Flickr Group!

2nd Prize
* fat quarter bundle from Art Gallery Fabrics
* 3-pack of books from Martingale Publishing
* $50 gift certificate from Sew Fresh Fabrics
* $30 gift certificate to Spoonflower

Second prize will win a fat quarter bundle, courtesy of Art Gallery Fabrics. These particular ones are perfect for summer, citrus, and lots of sweet! The fabrics are buttery soft to the touch, too!!

Martingale - Everyday Handmade (Print version + eBook bundle) Martingale - Make It Sew Modern (Print version + eBook bundle) Martingale - Bag Boutique (Print version + eBook bundle) 
 The 2nd place winner will also be the proud new owner of these 3 books from Martingale Publishing. The books are 'Everyday Handmade' by Adrienne Smitke, 'Make It Sew Modern' by Vanessa Christiansen, and 'Bag Boutique' by Amy Barickman. 'Everyday Handmade' is just gorgeous...one of my favorite recently-released sewing books!!! I'd get 'Make It Sew Modern' just for the cover bag! And if you're a bag-making fan, 'Bag Boutique' has many great projects inside!


Another reason that 2nd place will be a coveted prize is a $50 gift certificate from Sew Fresh Fabrics! My current favorite fabrics from Sew Fresh Fabrics are the Happy Drawing prints by Ed Emberly...I want them all! Check it out!


Have you ordered Spoonflower fabric before? Did you know that you can get custom-printed fabric (or even design your own!) on many fabrics, including Kona cotton, canvas, and silk? You can even order different sizes, such as a fat quarter! How cool is that! I recently received this fabric from Spoonflower and it.is.awesome!! And psst, Heather Ross often has fabric on there! Oh, sorry, I got so excited about the fabric...that I forgot to tell you that 2nd prize will also win a $30 gift certificate to Spoonflower!


Purse Palooza 2012 :: 1st Prize Rundown

This post is part of Purse Palooza 2012.
For full schedule of guest post pattern reviews and prizes, click here!


With Purse Palooza 2012 kicking off this Monday (June 4th), I wanted to take a moment to run down some of the fabulous prizes. And I do mean *fabulous*!!

Right now, I'm going to talk about the prizes that will be going to the 1st place winner of Purse Palooza 2012. The prizewinners will be chosen on July 11th and judged from all of the entries submitted to the Flickr Group!

1st Prize

* $50 gift certificate from Fat Quarter Shop         
* 3-pack of books from Martingale Publishing
* $50 gift certificate to Zipit
* $70 Pellon gift pack
* fat quarter bundle from Art Gallery Fabrics



In case you've been hiding under a rock, Fat Quarter Shop is one of the biggest online shops, specializing in fabric bundles and quilt kits. The shop also stocks many patterns, magazines...pretty much everything you need to get your creative on! The prize offering for Purse Palooza 2012 from Fat Quarter shop for 1st prize is a $50 gift certificate to the shop! That's a lot of fabric!!

  Martingale - Everyday Handmade (Print version + eBook bundle) Martingale - Make It Sew Modern (Print version + eBook bundle) Martingale - Bag Boutique (Print version + eBook bundle) 
 The 1st place winner will also be the proud new owner of these 3 books from Martingale Publishing. The books are 'Everyday Handmade' by Adrienne Smitke, 'Make It Sew Modern' by Vanessa Christiansen, and 'Bag Boutique' by Amy Barickman. 'Everyday Handmade' is a gem of a book...if you are a fan of Zakka-type sewing books (books with small yet beautiful projects), this is for you...and you must get it!!! 'Make It Sew Modern' has lots of lovely projects with ruffles and other cute details. And if you're a bag-making fan, 'Bag Boutique' has some cute bags to get you going!


If that's not enough, the 1st prize winner will also receive a $50 gift certificate to Etsy shop Zipit. As you can see by the banner, these are not your run-of-the-mill zippers. These are lovely and rainbow-colored, perfect to coordinate with all of your projects when a white zipper just will not do (although they have some of those in the shop too!!). All sizes of zippers, all colors, and special orders are welcome!


Pellon has offered a prize pack bundle worth approximately $70 in interfacing and batting products! If you know me, you know that I am a huge fan of their products...I use them in pretty much every single project I make! This is one juicy pack!


The 1st prize winner will also get this lovely fat quarter bundle from Art Gallery Fabrics. The color palettes in the fabrics are just so bright and bold...just my style! And did you know that there are also patterns? Quilts, bags, clothes...you name it! The perfect compliment to your Art Gallery fabric haul!


If you were on the fence about Purse Palooza 2012, I hope this has pushed you over it! Stay tuned as I run down the prizes for 2nd, 3rd, and 4th place, as well as the prizes for the randomly chosen winners (that's right! Prizes just for showing up!). :-)


Tuesday, May 29, 2012

Colette Macaron Nightshade Dress


I made this Tula Pink Nightshade dress last night. Have you seen the Nightshade fabrics?! Hello!! She also has another line coming out this month called The Birds and the Bees (which is super awesome too!). The pattern is the Colette Macaron. Because I was in a big 'ole hurry, I maybe made things harder for myself than they had to be. Oh well, that's what happens.

Fabric - For my size, the pattern called for 2 yards of the main print, and 1-1/2 yards of the contrasting fabric (which, in my case, is the black fabric). You'll also need a tiny bit of interfacing (I used Pellon SF-101 Shape Flex woven interfacing) for the facings around the neckline.


Pattern Pieces - Compared to other dress patterns that I've made, this does not have a huge amount of pattern pieces to cut out. These are tissue pieces; there are also a lot of markings on the pieces, for the darts and pleats in the skirt.


Illustrations/Instructions - There are illustrations for every main step, however, I feel that the instructions assume some level of past garment-making experience. Because Colette patterns are drafted for a bigger size than I wear (especially in the bust area), I usually have to make changes. For some reason (I don't know if it was because I was tired or what), the fabric pieces along the waistline were curved and looked really pouchy when I sewed them together (even though I notched and all that), so I decided to cut my losses and re-cut my fabric for the waistband as a straight piece.

One thing I think is brilliant about this pattern are how cute the sleeves are...they are cute as well as easy to sew!

There is a side invisible zipper. I'm not that crazy about the side zip because...well, because there are sleeves, you can't just have a zipper from the top of the dress down as far as you need it. The instructions call for you to sew a little below the sleeve, then have the zipper sort of in the middle of the side of the dress. This makes it slightly challenging to get the dress on and off. I'd prefer a back zipper. That's just me. If I would have thought the pattern through before I started, I certainly could have put the zipper in the back straightaway.


Conclusion - I like a lot of the details in this dress pattern, such as the sweetheart bodice and the sleeves. I'm used to making gathered or circle skirts, so this is a nice change for me with the straight skirt with pleats. The instructions are thorough and complete with illustrations. For an intermediate seamstress. The Tula Pink Nightshade fabric is super-super cute, and I'm glad I have enough fabric left to use this cool print in a quilt!

Tutorial & VIDEO: Fylerion Bag



I am super-excited to bring you this sewing tutorial AND 30-minute step-by-step video on how to make the bag! I shot the video this past November, but this is the first time the video is available on my blog (for free!). This is also a guest post for Jennifer at Ellison Lane Quilts as part of her Summer Sewing Contest...lots of fun prizes await!

Summer Sewing Contest at ELQ


As far as the video goes, it may take some time to load to your computer (but you can surf the web while you want, or come back to your computer later); or you can download it and view it anytime!





ALL SEAMS ARE 1/2" UNLESS OTHERWISE NOTED.
PRE-WASH AND IRON ALL FABRICS.
PLEASE READ ALL INSTRUCTIONS BEFORE BEGINNING.

Bag finished size: 15" x 9.5"

SUPPLIES

- 1/2 yard fabric for exterior
- 1/2 yard fabric for interior and accent
- 1/4 yard fabric for pockets
- 3-1/2 yards Pellon SF-101 fusible woven interfacing
- 1 yard Pellon Thermolam fusible interfacing
- 1/2" magnetic snap
- coordinating thread
- glue stick
- fabric marker or chalk
- ruler
- iron
- pressing cloth




STEP 1 ~ PRINT THE PATTERN PIECES

1a. Print out the pattern pieces for:           -Main Panel "A"
          -Main Panel "B"
          -Accent Piece
          -Flap

Helpful Hint: After printing, make sure that the 1" square on the first page measures up to an inch. This will ensure that your pattern pieces have printed at the correct size. If not, go back, save the file, and/or make the appropriate adjustment to your printer. If you still have trouble, please e-mail me at sara@sewsweetness.com and I would be happy to send you a pdf of the pattern pieces!

1b. Tape Main Panel "A" and Main Panel "B" together at the dotted line to form one piece. This will be your Main Panel pattern piece.


STEP 2 ~ CUT OUT YOUR FABRIC

From the Exterior Fabric

2a. Cut 1 piece measuring 35" x 3.5". This will be your Exterior Side Panel.

2b. Cut 1 piece measuring 30" x 4". This will be your Strap.

2c. Using the Main Panel pattern piece, cut 2 pieces on the fold. These will be your Exterior Main Panels.

2d. Using the Flap pattern piece, cut 2 pieces on the fold.


From the Interior Fabric
2e. Cut 1 piece measuring 35" x 3.5". This will be your Interior Side Panel.

2f. Using the Main Panel pattern piece, cut 2 pieces on the fold. These will be your Interior Main Panels.

2g. Using the Accent pattern piece, cut 2 pieces on the fold. These will be your Accent Pieces.


From the Pocket Fabric
2h. Cut 4 pieces, each measuring 10" x 6.5". These will become the Pockets.

From the Pellon Woven Interfacing

2i. Cut 1 piece measuring 30" x 4". Fuse to the Strap fabric.

2j. Cut 2 pieces, each measuring 35" x 3.5". Fuse to the Exterior Side Panel and the Interior Side Panel.


2k. Using the Main Panel pattern piece, cut 4 pieces on the fold. Fuse to the wrong side of 2 Exterior Main Panels and 2 Interior Main Panels using manufacturer's instructions.

2l. Using the Accent pattern piece, cut 2 pieces on the fold. Fuse to 2 Accent Pieces.

2m. Using the Flap pattern piece, cut 2 pieces on the fold. Fuse to 2 Flaps.

2n. Cut 4 pieces, each measuring 10" x 6.5". Fuse to the 4 Pocket pieces.

From the Pellon Thermolam Interfacing

2o. Cut 2 pieces, each measuring 35" x 3.5". Using manufacturer's instructions, you will be fusing the Thermolam to the Woven Interfacing that you already fused. Fuse to Exterior Side Panel and Interior Side Panel.

2p. Cut 1 piece measuring 30" x 1". This will be your Strap Insert. Set Aside.


2q. Using the Main Panel pattern piece, cut 4 pieces on the fold. 

2r. Cut 2 pieces, each measuring 1-1/2" x 1-1/2". These will be used to enforce your magnetic snap. Set Aside.


LET'S START SEWING!!
BE SURE TO BACKSTITCH AT STARTING AND STOPPING POINTS.


STEP 3 ~ ASSEMBLE YOUR STRAP

3a. Along one long edge on the right side of your Strap fabric, make a mark with your fabric marker, 1/2" from the edge. Repeat for the other long edge.

3b. With the wrong side of the strap facing you, use your iron to press one long edge of the fabric in (wrong sides will be facing). Repeat for the other long edge.

3c. Press your fabric in half. This will enclose both of the long raw edges.

3d. Using the Strap Insert that you cut in Step 2q., place it inside one half of your Strap. Fold the Strap back in black in place along the middle crease. Use your iron to fuse the Strap Insert in place.

3e. Using a coordinating thread, topstitch along one long edge, 1/8" from the edge. Repeat for the other long edge. 


STEP 4 ~ ASSEMBLE THE FLAP


4a. Take 1 Flap piece and 1 of the Thermolam squares that you cut in Step 2s. With the prongs of 1 end of the snap (the half of the snap that is smaller, with the raised center) in the middle of the mark, mark the prong placement with a fabric marker or chalk, approximately in the center of the Thermolam. Cut small slits at the marks

4b. Make a mark that is centered on the Flap from Step 4a., and 1-1/2" up from the bottom edge of the Flap.

4c. With the prongs of 1 end of the snap in the middle of the mark on the Flap, mark the prong placement with a fabric marker or chalk. Cut small slits at the marks.

4d. Slide the prongs of the snap through the right side of the Flap. Place the Thermolam, then the washer, over the prongs. Close the prongs outward, making sure they lie flat.


Helpful Hint: I like to put a dab of Fray Check on the slits that were cut. I feel this helps the fabric hold up a bit better under the stress of the magnetic snap.


4e. Place both of your Flap pieces, right sides together. Pin. Begin sewing from the straight corner, and sew all around the curved edges. You will stop at the opposite straight corner (you will not be sewing the straight edge).

4f. Trim the seam allowance to 1/4". Notch the "valleys" (cut tiny V's) and clip the "peaks" (cut small slits), approximately every 1/2". This will help your Flap lie smooth and flat.

4g. Turn the Flap right sides out. Use your fingers to push out the curves. Press. Edgestitch about 1/8" from the edge.


STEP 5 ~ ASSEMBLE THE EXTERIOR PANEL


5a. Take 1 Accent piece. Stitch along the curved edge, 1/4" from the edge.

5b. With the right side of that Accent Piece facing you, slowly use your fingers to turn that 1/4" edge under. Do a little bit at a time, and follow that up with your iron. Continue until the entire curved edge is pressed under, hiding the basting stitch and the raw edge of the fabric.

5c. Take 1 Exterior Main Panel. Press in half. Do the same for the Accent Piece.

5d. Take your glue stick and glue the Accent Piece to the Exterior Main Panel. The raw edges at the top of both should be even, and they should be centered along the folds that you pressed.

5e. Topstitch the Accent Piece to the Exterior Main Panel, 1/8" from the curved edge. Press so the creases are gone.

5f. Repeat Steps 5a. through 5e. for the remaining Accent Piece and Exterior Main Panel.


STEP 6 ~ ASSEMBLE THE EXTERIOR


6a. Take the Exterior Side Panel. Fold in half along the short edge. On the right side, make a mark 9" down from the short raw edges, and a mark in 3/4" from that raw edge. Connect the two marks that you made with a line. Repeat for the left edge.

6b. Cut along the lines on the right and the left sides.

6c. Take 1 of the Exterior Main Panels and place it, right side facing you. Place the short edge of the Exterior Side Panel at the top of the Exterior Main Panel, right sides facing.

6d. Begin pinning the Exterior Side Panel to the curved edge of the Exterior Main Panel, easing it along. Continue until you reach the opposite top edge of the Exterior Main Panel.

Helpful Hint: If you have difficulty pinning along the curve, try leaving it unpinned and just easing it along slowly with your fingers.

6e. Sew along the pinned edge. Notch along the curved edge, every 1/2". Press the seam open.

6f. Repeat Steps 6a. through 6c. to attach the remaining Exterior Main Panel to the other long edge of the Exterior Side Panel.

6g. Take your strap, and baste one short edge to the top of one Side Panel, right sides together. Pin the other short edge of the strap to the other end of the Exterior Side Panel. Try your bag out and see if the strap length suits you. If not, trim, then baste the remaining short edge of the strap to the other end of the Exterior Side Panel, right sides together.

6h. Take the Flap, and center it on 1 Exterior Main Panel, so the raw edges are even. The snap should be facing you. Baste the Flap to the Exterior Main Panel.


STEP 7 ~ ASSEMBLE THE INTERIOR


7a. Take 2 of your Pocket pieces and place them, right sides together. Start sewing on the long edge, about 3" from the corner. Pivot at the corner, continue along the short edge, pivot, continue along the long edge, then the short edge, and sew only 3" along the long edge. This will leave an unfinished edge in the center of the 10" side. This opening is for turning the pocket later (in my photo, you can see where you should sew, along the purple line).

7b. Trim the corners.

7c. Turn your Pocket right sides out. Use a turning tool (or other pointy object) to gently poke out the corners. Press the unfinished edge in 1/2" on each side.

7d. Topstitch, 1/4" from the edge, along the 10" side that you sewed in Step 7a (leave the side with the opening alone).

7e. Take 1 Interior Main Panel. Press in half. Repeat for the Pocket. Place the pocket up 2 inches from the bottom of the Interior Main Panel, centered at your crease. The portion of the pocket that you pressed in should be at the bottom. Pin.

7f. With a 1/4" seam allowance, begin sewing along one short edge, pivot, sew along the long unfinished edge, pivot, then sew along the remaining short edge (do not sew along the edge that you topstitched in Step 7d.).

7g. Repeat Steps 7a. through 7f. for the remaining Pocket pieces and Interior Main Panel.

7h. USING A 5/8" SEAM ALLOWANCE (this will help the interior sit snuggly in the exterior), repeat Steps 6a. through 6d. to attach the Interior Main Panels to the Interior Side Panel. HOWEVERmake sure to leave a 6" opening when attaching one of the Interior Main Panels to the Interior Side Panel (it is best to leave the opening at the bottom of the bag). This will help you turn your bag right-side out later.


STEP 8 ~ FINISHING THE BAG

8a. Take the remaining 3" x 3" square of Thermolam and the remaining half of the magnetic snap. 
With the prongs of the end of the snap in the middle of the Thermolam, mark the prong placement with a fabric marker or chalk. Cut small slits at the marks.

8b. Make a mark on the Exterior Main Panel of the bag, on the portion that is on the opposite side from where the Flap is attached. Your mark will be centered (you should be able to still see the center crease from when you positioned the pockets earlier), and 3-1/4" from the top.


8c. With the prongs from the snap, mark the placement with a fabric marker or chalk. Cut small slits at the marks.

8d. Push the prongs of the snap through the right side of the Exterior Main Panel, then place the scrap of Thermolam on top of the prongs (on the wrong side of the exterior), followed by the washer. Open the prongs away from each other to lie flat.

8e. With the Exterior right sides out and the Interior wrong sides out, place the Exterior inside the Interior. Be sure to push the Strap and Flap inside between the layers.

8f. Pin, making sure to match side seams. Sew all along the top edge.

8f. Turn the bag, right side out, through the opening in the Interior.

8g. Sew the opening in the Interior closed, either with a 1/4" seam, or sew by hand.

8h. Press well. The key to a professional-looking bag is a good pressing!




I hope you've enjoyed this tutorial and the accompanying video tutorial to make this bag! Try experimenting with different embellishments or techniques, or perhaps make a patchwork version! Let me know if you have any questions! sara@sewsweetness.com