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Thursday, September 22, 2011

Moving Day!



Well, the day has finally (almost) arrived! We are moving to our new home this Friday! I'm super-excited, a little bit anxious about the renovating, but mostly looking forward to it. I can't wait to see the kids playing in the yard and having friends over!

Even though my husband pre-planned to have the internet set up on Saturday (he's a gamer, I'm a blogger), I might need a little bit to get settled. So I'm going to say goodbye for now, and see you soon!

I have a really fun Christmas event to announce on October 1st, as well as getting caught up on my Colette Diaries posts (the Crepe dress is finished, I just need to get my postings together).

Miss you guys!

Wednesday, September 21, 2011

Amy Butler Sew Along Winners!

Weekender Bag by Becky from My Fabric Obsession

I'm so excited to announce the winners from the Amy Butler Sew Along! You all did such a great job, and I wish I could send all of you a prize. ;-)

Winner #1 {Becky from My Fabric Obsession} - Most creative use of an Amy Butler pattern will receive prize pack #1, which includes the Madison BagKimberly Bag, and Cabo Halter sewing patterns courtesy of Amy Butler Design. My judges chose this one.

Winner #2 {Luna Mod Tunic}- 'Crowd Favorite' will receive a $20 gift certificate to an online fabric shop. The Crowd Favorite was narrowed down to 10 finalists chosen by my unbiased team of judges. Voting was opened, and this was the winner!

Winner #3 (Kim Munoz} - Randomly chosen winner, selected by random.org, out of everyone who completed a project. This prize pack includes the Midwest Mod Pillows and Spice Market Tote patterns courtesy of Amy Butler Design.

Winner #4 {The Littlest Thistle}- My Dirty Bubble Zippered Pouch from my free tutorial. The pouch will be stuffed with vintage wooden spools of pretty thread! This winner will also be randomly chosen, selected by random.org, out of everyone who completes a project.

Winner #5 {Lindsay Sews}- My Naughty Secretary Bag from my free tutorial. The actual bag! This winner will also be randomly chosen, selected by random.org, out of everyone who completes a project.


Congratulations! I'll be contacting you all later tonight for your address information!

Monday, September 19, 2011

Please Vote! Amy Butler Sew Along Finalists!



The Amy Butler Sew Along is closed, and now it is time to vote on the finalists!

My judges (Amy from Amy Lou Who and Kim from My Go Go Life) chose their favorite (this person is not listed among the finalists...to keep you guessing!), as well as 10 finalists. I would like you to please vote for your ONE favorite. Anyone may vote, but you can only vote 1 time.


Please find your ONE favorite from the list below (just remember the number)! You have until end of day Tuesday! Thank you!

Finalists:
#1 Kim Munoz
#4 Sophia Bag with Prince Charming
#5 Blossom Bag
#7 County Fair Cabo Halter
#10 Anna Tunic "Luna Mod"
#11 Hourglass Pillow
#13 Large Teardrop Bag
#15 Fringed Hobo Bag
#18 Blossom Bag
#19 Fringed Hobo Bag by Marci Girl Designs

My first method of voting reached its vote limits, lol. So you can now use the purple box below instead (votes will be calculated from both methods of voting):



My Ballot Box

Which is your favorite?












I will announce all 5 winners (3 of them will be randomly chosen out of everyone who participated!!) on Wednesday morning! Congratulations to all the finalists, and CONGRATULATIONS to everyone that finished a project!! I'm so proud of you! :-)

Friday, September 16, 2011

Sewing Back-to-School: Transferring Patterns to Fabric

This post is part of the Sewing Back-to-School series, 30 days of helpful sewing articles by guest bloggers. Feel free to check out the original Sewing Back-to-School post for schedule and previous posts!






Susan from Living with Punks has an amazing blog...I've heard this from other bloggers, but hers was one of the first that I began following last year when I started blogging! She has many, many amazing tutorials, such as this Ruffle Scarf. Stop on over to to her blog and say hello!



Hi Sew Sweetness readers!  I ‘m Susan from Living with Punks and I can’t wait to show you how to make your sewing life easier today.  I know when I first started sewing, the thing I disliked most was the time and effort it took to cut out a pattern, fold the edges to the correct size, pin the pattern to the fabric and cut the fabric with scissors.  It really hindered me from sewing. 
After scouring the internet for helpful hints (Melanie from A Sewing Journal was a big help!) and discovering wonderful ways to use some old tools, I have gotten so much quicker at the process.   It has now become one of the easiest parts of the sewing process for me.  I will usually cut pieces for several garments all at once in assembly line style, all with little effort and a lot less headaches.  You want less headaches too?
Follow along…
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First off, is an investment.  Tracing paper is fairly cheap and comes in convenient rolls for easy storage.  The paper I buy is fairly light which helps with tracing, but it does tend to curl up on the edges.  One way to combat the curling is pressing with a medium set iron. 
A rotary cutter and self healing mat is essential in this method.  I can’t tell you how much easier it is than scissors.  Once you go rotary, you won’t go back.  These items are a bit more expensive, but you can always catch them on sale at your local craft store.

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Begin by placing your pattern flat on a table.  Here, I am tracing a pattern from a printed and taped PDF, but you can use this same method for a store-bought tissue pattern. 

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Trace all the pieces, including all the pattern markings, including dots, triangles, darts and gathering points. 

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Also include the name of the pattern, size and grain line arrows.  I always include the seam allowance on the pattern too so I don’t have to search the pattern once I start sewing.

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Once all your pieces are traced and cut, you are ready to start cutting fabric.  Place the pattern piece on the fabric, following the grain line as indicated on the traced pattern.  Instead of pinning the pattern to the fabric, I always use weights.  I found these huge washers at the hardware store and are perfect for larger pieces.  For smaller or narrower pieces, you can use knives from your kitchen drawer.  I have also used small ramekins and toy cars in desperation.  Really, anything with weight will work.

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Once the pattern is sufficiently weighted down, take your rotary cutter and beginning at any edge, start cutting, keeping your cut in line with the pattern piece.  This may take a few tries getting the handle of, but I promise you, once you get it, you will love cutting fabric!

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Cut all your pieces and sew your garment together with ease!
These pieces turned into a pair of undies for my 9 year old boy…hence the skulls  Winking smile 
I asked him to model it but he said “No way!”

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Thanks for having me today, Sara.  It was a blast!  Come and visit me any time over at Living with Punks, or you can always be a friend on my Facebook page!

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Wednesday, September 14, 2011

Sewing Back-to-School: Interfacing

This post is part of the Sewing Back-to-School series, 30 days of helpful sewing articles by guest bloggers. Feel free to check out the original Sewing Back-to-School post for schedule and previous posts!



Hello everyone! Thanks so much for visiting my blog for the 'Sewing Back-to-School' series! I hope you've enjoyed it! My topic today is on interfacing. Interfacing is one of my most favorite things, besides the fabric itself. Interfacing can turn a light piece of fabric into a stiff bag that will stand up by itself. Interfacing can give body to the waistband of a skirt. Interfacing can do many things, but it can also be confusing. When shopping for interfacing at the fabric store, you will run into dozens and dozens of white bolts (and some even in black). Today, I'm going to talk about the ones I use most often.


Pellon SF-101 {Shape-Flex Cotton Woven Fusible}
For sewing projects, this is the interfacing that I use the most often. It comes with a light purple label on the bolt (it's the 4th from the left in the above picture...SF-101). Often on my blog, I just refer to this one as 'fusible woven interfacing'. Joann's sells this for $4.99/yard, and it's 20" wide.

It is fusible (the glue on the interfacing melts from the heat of your iron) on one side, so you would iron it with the fusible side (the fusible side feels rough/tacky) against the wrong side of your actual fabric. You should always using a pressing cloth against the non-fusible side of the interfacing. After fusing, your actual fabric and the interfacing will become a single unit.

The Pellon SF-101 interfacing will not make your fabric stiff, but it will lend it more body. For example, when ironed on to a quilting-weight/mid-weight cotton fabric, the fabric will now have the body of a decor-weight fabric. It is great for areas of a project that take a little more wear, such as the pockets of a bag.

Body of this bag made with Pellon SF-101 Interfacing

This interfacing can be used by itself, or in combination with other interfacings. For example, you can have one layer of Pellon SF-101, followed by a layer of Pellon Thermolam (more on that later). The reason that the Pellon SF-101 gets fused to your actual fabric first is that it provides a nice, smooth base, since it is woven like your actual fabric probably is. The Pellon Thermolam, which is a fleece fusible interfacing, is thicker, like actual fleece fabric, but it can look wrinkly (in my opinion), so that's why it comes after the Pellon SF-101, if you're using it for a bag.


This bag was made with a layer of Pellon SF-101, followed with a layer of Pellon Thermolam

Pellon SF-101 is also great to have around when you are sewing clothing. Since it makes the fabric more stable, it can help in the areas of a garment that take more wear/movement, such as a collar, arm holes, or a waistband. In the picture below, I fused the Pellon SF-101 to the waistband piece. This is a high waistband, and the interfacing helps give it the support it needs (otherwise it might look wrinkly or misshapen).


I used Pellon SF-101 interfacing in the waistband of this skirt.

Pellon #987F {Fusible Fleece}
This interfacing is available on the light green bolts at the store. It is fusible on one side. It is fleece, but it is loftier/fluffier than the Thermolam (up next on my list!). I have used this before and did not care for it, at least in the types of projects I've made. It's just not dense enough for me, so I'm going to move on.




Pellon Thermolam Plus
This interfacing also comes as a one-sided fusible, and also with the light green label on the bolt. It is fleece, like the Pellon #987F, but the major difference is that the Thermolam is needled, so that it is a denser fabric. In my mind, this comparison is similar to that (if you're a quilter) of Warm and Natural batting, and some of the other cotton or polyester battings that are available. The Warm and Natural is needled also, so it lays more flat and is not fluffy like some other battings.

As you saw in my bag above with the pink pom-poms, it can be used as an additional interfacing layer with Pellon SF-101. It makes bags feel very sturdy and store-bought.

I quilted the damask fabric in this project before assembling the fabric pieces

Thermolam would also be great if you wanted to add some quilted detail to a project. You could fuse the Thermolam to the wrong side of your patchwork or other fabric (as in my photo above), and machine quilt it without having to baste it or use pins.

I've added an extra piece of interfacing where I have inserted the metal magnetic snap

Another side mention for the Theromolam is that I  use it all the time to enforce magnetic snaps. Magnetic snaps are metal, and I am always nervous that the extra weight of opening and closing them all the time will wear away at the fabric. So I always interface the fabric that the snap is going into as per the pattern instructions, and then fuse a scrap of Thermolam before I insert the snap. In my photo above, I'm showing you the lining side, wrong side of a flap for a bag where the magnetic snap is going. As you can see, I've fused that extra bit of Thermolam on before I inserted the snap. It doesn't have to be a certain size, I just cut a piece depending on the scraps I have lying around.




Pellon Peltex #70 {Extra Firm Sew In Stabilizer}
I use several different kinds of Peltex, and the Peltex #70 is first on the list. It comes on a bolt with a yellow label. Unlike the other interfacings that we've talked about so far, Peltex #70 is not fusible. It is a sew-in interfacing, which means that you will have to secure it to your actual fabric by another means, usually basting or sewing through the two layers at once. It is one of the stiffest interfacings out there, and will make your project holds its shape and stand up on its own.

If you'd like to use Peltex #70 without having to baste or sew it to your fabric first, you do have an option! You can cut your fabric out, then the Peltex #70, and finally a layer of Pellon SF-101. Using a ruler and marking pen, you would then mark your Peltex #70 at 1/2" margin, all the way around the piece. Trim at your marks, making the Peltex #70 a half-inch smaller than the actual fabric. Next, layer your fabric, then the Peltex #70, and finally the Pellon SF-101. When you fuse the Pellon SF-101, it will attach to your actual fabric at the seam allowance, sealing in the Peltex #70. Having the smaller Peltex #70 piece will also keep the bulk out of your seam allowances. And you're all good to continue on with the project!

One of the reasons that you would use Peltex #70 instead of another heavy fusible interfacing, is if you are working over a larger area. My example below is a bag that I made using Peltex #70. As you can see, it is quite a large bag. If I had used a Peltex fusible interfacing instead, the whole area of the bag would look 'fused', meaning, very crinkly looking. Not how you want your bag to look. So I basted the Peltex #70 to the wrong side of my actual fabric (or you could layer it with a piece of Pellon SF-101, as I mentioned above).

This bag was made using Pellon Peltex #70 interfacing
Another great reason to have some Peltex #70 around is for bag handle inserts. Some sewing patterns for bags call for you to create sort of a double-bias piece for each handle, meaning that your raw edges would not be exposed. I cut a strip of 1-1/2" wide Peltex #70 for each of the handles in the bag below, and slide them into each handle piece before topstitching along each long edge. It makes the handles very stable...as you can see from my photo below, the handles are basically standing up on their own.

The handles of this bag were made using inserts, which were strips of Peltex #70


Pellon Peltex #71F {Single-sided Fusible}
I have to admit, I really really love this interfacing. It is the heaviest duty fusible interfacing that I use, but it can be scary because it is so stiff (it makes sewing through multiple layers very tricky). This is slightly stiffer than the Peltex #70 (because of the fusible aspect). To fuse it to fabric, you would place the tacky side against the wrong side of your actual fabric. It also helps to mist your presser cloth before pressing, and use plenty of steam. After I press, I like to flip the fabric over and iron lightly on the right side of the actual fabric, to make sure there are no puckers in the fabric. If you find a pucker right away, no problem! While the interfacing is still warm, you should be able to gently peel away the offending area, and reposition it.

This is a piece of fabric fused with Peltex #71F; as you can see, I'm holding it up and the fabric doesn't flop over

I probably use Peltex #71-F a lot more than I should...I just love a stiff bag. It is a good idea to cut your Peltex #71-F a half-inch smaller than your actual fabric (as I recommended earlier for the Peltex #70), to keep the bulk out of your seam allowances.

I made this clutch using Peltex #71-F on the main portion of the bag (not the flap)


Pellon #808 Craft-Fuse and Pellon #809 Decor-Bond
I have used each of these one or two times in the past. I suppose since I use other interfacings more often and tend to have them on hand instead, I use what I have. These are both light-weight iron-on stabilizers, and come on the bolts with the yellow label. They are really good for home decor items, or as a stabilizer when doing machine applique.


Other Fusible Garment Interfacings
I like sewing clothes, but so far I haven't ventured out into a huge variety of different garment fabrics. However, if you are going to choose a different fabric for your clothes that isn't a woven, chances are you will need a fusible interfacing for a neckline, armhole, waistband, etc. These come on the bolts with the light purple label. I'm just briefly going to touch on these, as the application will generally be the same.

#845F Designers Lite for crepe, rayon, and satin
#855F Tailor's Elite for wool, wool crepe, and corduroy
#880F Sof Shape especially for fabric with a drape
#906F for crepe de chine and voile



There are many, many interfacings that I have not touched on (just because I have not personally used them). For more information, click here to take you to a helpful table from Pellon with all the different types of interfacings, and their common uses!

Sewing Back-to-School: Fabric Grain

This post is part of the Sewing Back-to-School series, 30 days of helpful sewing articles by guest bloggers. Feel free to check out the original Sewing Back-to-School post for schedule and previous posts!






Kate from See Kate Sew has a plethora of helpful tutorials and posts on her blog; if you've enjoyed this Sewing Back-to-School series, you will definitely love her blog! I have been loving her Pleat Week posts...check it out!




Hi everyone! It's Kate from see kate sew! I'm so glad Sara invited me here today! I run a sewing 101 series on my blog each week and one of my first posts was about fabric grain and it was so confusing! I've been meaning to rewrite and expand it and this opportunity gave me the push to do it! I'm also going to share with you a fun way to 'cut' fabric-by ripping it.
Fabric grain used to be one of my least favorite things. It meant preparing fabric before getting to the fun part of sewing it up. As I have studied my clothes more and more I have realized how important fabric grain is in lots of projects! You may have a shirt in your closet whose side seam has twisted to the front. That fabric was cut off grain! Oh no!
What the heck is grain?
Every piece of woven or knit fabric has grain. Grain describes the direction of the threads. Lengthwise grain, crosswise grain and bias grain. It's important when sewing, just like woodgrain is important when building. When a piece of fabric is "on-grain" all the threads are lined up how they should be. Clothing that is on-grain is typically more expensive because it means the pattern pieces have to be cut a certain way, which may not be the most economical way.
****Non-woven fabrics (such as felt or leather) don't have grain, so you don't have to bother with any of this when using those fabrics.****
Why bother with grain?
Cutting fabric on grain is important because it will ensure that our garment stretches out and wears evenly. It keeps the fabric's threads happy and level. You see, each pieces of fabric is made of thousands of threads. Some go parallel to the ground and some perpendicular. They are woven together, under-over-under-over or maybe knit together. Gravity, washing and wear affect those threads and their balance. By cutting garments on-grain, the pieces of garment will wear and stretch at the same rate, lengthening the life of the garment.


****A lot of clothing manufacturers don't pay attention to grain on purpose. Cutting on the grain is not always(...never!) economical, but it will make your clothes hold up better.****


Which grain?
-The lengthwise grain is parallel to the selvage edge. The selvage is the end that is "finished" with tighly woven threads and usually has a series of little tiny holes in it from needles in the production process.
-Crosswise grain is perpendicular.

-Bias grain runs at a 45 degree angle from lengthwise and crosswise grain. 











Bias grain is the stretchiest and has the most give.
Crosswise grain is the second stretchy.
Lengthwise grain tends to have the least stretch or give.


You can cut your pattern pieces out on different grains to get different effects. For example, bias grain is used often in skirts to give a flowy ruffle effect. It's pretty! But if flowy isn't what you're going for, you have two other options!
Most garment patterns instruct you to cut pieces along the lengthwise grain. Which means you place the pattern pieces so the arrows are parallel to the selvage edge.


How to get your fabric on grain:
When you get home from the fabric store, getting your fabric on grain is pretty simple. You might need a friend to help you though. If you're using a woven fabric, tear your edges so you know you have your threads right. I always cut a slit first, then tear. 
Then all you need to do is stretch it on the bias grain. So, have your friend grab a corner of the fabric and you grab the opposite corner on the other side of the length. Pull until the edges line up. I am showing you with a little piece of fabric, but the same principles and technique apply to get the fabric on grain if you have a large yardage. You know you're done when the edges line up when folded in half.

For this piece of fabric you'll pull the upper left corner and the lower right corner until the threads line up and the edges match.
(hairy husband arms, FYI)
If you're using a knit, cut along one of the stitches, making sure you are cutting straight and do the same thing for wovens, pull the edges.


Let's get technical:
Lengthwise and crosswise grain are also referred to as the warp and weft, respectively.
warp=lengthwise
weft=crosswise
Warp threads are the first to go on the loom. They are secured tightly and then weft threads are woven back and forth to make a woven fabric. 

Does it always matter?
Nope! Grain doesn't always matter. If you're just using your fabric for a little crafty project, it really won't matter how you cut it. If it's not going to drape on a body, then it really doesn't matter! I also mentioned above that this only applies to woven and knit fabrics, so if you're sewing with a non-woven, you don't need to bother. Even then, it's not as important when sewing with knits, since they are stretchy anyway.
And that is your lesson on grain and ripping fabric. I hope that made a little bit of sense! Happy sewing! Come on by and visit me at see kate sew for weekly sewing tips and lots of tutorials!


 Thanks for having me Sara!

Tuesday, September 13, 2011

Link Up! Amy Butler Sew Along!



It's time to link up your completed Amy Butler sewing projects!! As a reminder, the project needs to have been completed between July 26, 2011, and September 14, 2011. The project must be made using an Amy Butler sewing pattern (a paper pattern, book pattern, or free pattern); it can be made in any fabric (not just Amy Butler).

If you don't have a blog, you can link up your creation from your Flickr or other photo-sharing account.



Here is a recap of the prizes:

The Prizes - I'm going to do this a few different ways.

Prize #1 - Most creative use of an Amy Butler pattern will receive prize pack #1, which includes theMadison BagKimberly Bag, and Cabo Halter sewing patterns courtesy of Amy Butler Design. My judges will choose this one.

Prize #2 - 'Crowd Favorite' will receive a $20 gift certificate to an online fabric shop. The Crowd Favorite will be narrowed down to 10 finalists chosen by my unbiased team of judges. Then you all will get to cast your vote on your favorite.

Prize #3 - Randomly chosen winner, selected by random.org, out of everyone who completes a project. This prize pack includes the Midwest Mod Pillows and Spice Market Tote patterns courtesy of Amy Butler Design.

Prize #4 - My Dirty Bubble Zippered Pouch from my free tutorial. The pouch will be stuffed with vintage wooden spools of pretty thread! This winner will also be randomly chosen, selected by random.org, out of everyone who completes a project.

Prize #5 - My Naughty Secretary Bag from my free tutorial. The actual bag! This winner will also be randomly chosen, selected by random.org, out of everyone who completes a project.


I'm so excited to see the finished projects! Link them up now!









Sewing Back-to-School: Hand Sewing

This post is part of the Sewing Back-to-School series, 30 days of helpful sewing articles by guest bloggers. Feel free to check out the original Sewing Back-to-School post for schedule and previous posts!





Kaelin from The Plaid Scottie always has a lot of great things going on at her blog. Recently I joined in her Double Wedding Ring Quilt Along. I won a wristlet giveaway on her blog a little while back (actually, the exact same gray/yellow wristlet in the above photo! It's *so* gorgeous!); you can now purchase sewing patterns in her Etsy shop for the Grab 'n Go Wristlet and also for the Color Burst quilt. Stop by her blog and say hello!




Hello all! This is Kaelin from The Plaid Scottie and, you guessed it, I'm here to teach you a little bit about hand sewing. Back when I picked up the quilting "habit" 5 years ago, I actually started out hand-sewing all of my quilts. We were broke newlyweds in graduate school, plus we lived in a 500 sq. ft. apartment, so there was barely enough room for the two of us and our school books, let alone a sewing machine!



So first things first. Here are the basic tools you'll need for hand-sewing. As you can see, it's not very much, and what is there is fairly small, so hand-sewing is very travel friendly and great for long car trips!







I have two types of thread pictured, because it all depends on your preference. Personally, I recommend buying hand-quilting thread because it rarely frays or knots and will save you a lot of headaches. But if you really don't want to go out and buy new supplies, you can always use regular machine thread and run it through some beeswax (the round yellow thing) to strengthen it.



I'll be showing you 3 hand stitches today that have proved to be the most useful to me throughout the years: the basic running stitch, the back stitch, and the ladder stitch (for binding). Parden my hideous color choices, but I thought the pink felt and green embroidery thread would provide more contrast than regular thread and quilting cotton :)



The first stitch I'll be showing you is a basic running stitch. It's fairly self-explanatory, and basically the goal is to keep your stitches nice and even. You want the space in-between the stitches to equal the length of the stitches themselves. But before that, we need to learn how to knot our thread. Take the end of your thread, and loop it around your finger 2-3 times.







Carefully slide the loops off the end of your finger, run the end of the thread through all the loops, and pull the end until you have a tight knot. Clip the excess thread below the knot and thread your needle.







RUNNING STITCH
For the running stitch, you always want to initiate the stitch from the bottom in order to hide your knot. Take the thread up through the fabric, and back down, trying to keep the your stitches as even as possible.










When you're finished with your stitch, you'll need to tie it off (make sure the stitch ends on the back side of the back side of the fabric). Make a small stitch close to your last stitch, and pull it until a small loop remains.







 Run your needle through the loop, and then under the tail end of your thread. Pull tight to make a knot and clip the excess.









BACK STITCH

The back stitch is very similar to the running stitch, except that you initiate your stitches from the left rather than the right. Bring the needle up through the back of the fabric, hiding your knot, a little to the left of where you want your first stitch to be (look down at the running stitch, and notice how my needle lines up with the end of that first stitch).





 Take the needle down through the fabric behind the stitch you just made.





Now, when you bring your needle back up through the fabric, you'll start from the left again, overshooting by a little bit to allow room for you to make another stitch to the right. 







When you're finished, the back stitch and running stitch will probably look exactly the same from the front.





But if you flip your fabric over, you can see that they look quite different.
The back stitch is one of the sturdiest hand stitches (much stronger
than your basic running stitch) because it interlocks your stitches. Whenever someone has torn their clothing at work and frantically comes to me for help, I normally use the back stitch because it will be a lot harder for them to tear the second time!





LADDER STITCH

The ladder stitch is probably the stitch I use most often, because it's handy for binding quilts and closing up the opening in bags once you've finished and turned them right-side out. Now, pretend that you need to hand-sew the back of your binding, and that folded piece of felt at the top of the photo is your binding. The single layer of felt below that is your backing fabric.





Lift up the "binding" and bring your needle up through the bottom to hide your knot. 





Bring your needle back down through the "backing fabric" directly below your first stitch without touching the binding. Do not start pulling the thread through - because once your needle is in the backing fabric, you're going to turn it to the left and about 1/4" over, push it back up through the backing and the binding in one fell swoop.







Pull your fabric taut, and it should look something like this.





Repeat the process by taking the needle back down through the backing, then turn and push it back up through both layers.













Once you have a couple of stitches under your belt, it should look a little something like this (except that it will be practically invisible, because you won't be using green thread with pink fabric *wink*)...







And there you have it! With these three stitches, you can conquer most basic and intermediate hand-sewing projects. If you're interested in learning more basic stitches, I have a tutorial available on my blog on how to sew hexagons using a whipstitch.



Happy Sewing!